
polychromed aluminum, coated steel chain
96 1/2 x 43 1/2 x 77 inches
245.1 x 110.5 x 195.6 cm
© Jeff Koons
Edition of 3 plus AP
2003
Caterpillar Chains
Details

polychromed aluminum, coated steel chain
96 1/2 x 43 1/2 x 77 inches
245.1 x 110.5 x 195.6 cm
© Jeff Koons
Edition of 3 plus AP
2003
EXHIBITED:
In Praise of Doubt. Punta della Dogana, Venice, Italy [April 9, 2011 - December 31, 2012] (Edition 1)
ARTIST ROOMS: Jeff Koons. National Galleries of Scotland, Edinburgh, Scotland [March 19 – July 3, 2011] (Edition 2)
ARTIST ROOMS: Jeff Koons. Tate, London, England; National Galleries of Scotland, Edinburgh, Scotland [March 2009] (Edition 2)
Un Certain Etat du Monde? [A Certain State of the World?] A Selection of Works from the Francois Pinault Foundation. Garage Center for Contemporary Culture, Moscow, Russia [March 19 - June 14, 2009] (Edition 1)
Jeff Koons: Retrospective. Helsinki City Art Museum, Helsinki, Finland [January 28 – April 10, 2005] (Edition 1)
Jeff Koons: Retrospective. Astrup Fearnley Museum of Modern Art, Oslo, Norway [September 4 – December 12, 2004] (Edition 1)
Popeye. Sonnabend Gallery, New York, New York [November 8 - December 19, 2003]
LITERATURE:
Lavrador, Judicaël. “Jeff Koons: génie ou imposteur?” Beaux Arts editions November 2014, p. 137.
Martin, Nicolas. "Le Grand Magasin Surréaliste: Un catalogue d’objets artistiques non identifies." Palette 2013, p. 62.
“Jeff Koons Resource Pack.” Exh. supplement, ARTIST ROOMS: Jeff Koons, Brighton: Brighton Museum and Gallery, 2013, p. 19.
Jeff Koons: Popeye Series. Exh. cat., London: Serpentine Gallery, 2009, p. 68, illustrated in color.
Holzwarth, Hans Werner, ed. Jeff Koons. Cologne, 2008, p. 527, illustrated in color.
Dietrich, Christa. “Eben hineinstolpern ins Glück.” Vorarlberger Nachrichten [Austria] 17 February 2007, pp. A1, D7, illustrated.
Collings, Matthew. “Lords of Creation.” ArtNews [New Zealand] Spring 2007, p. 88.
Yablonsky, Linda. “In the Studio: Jeff Koons.” Art + Auction March 2004.
Woltmann, Marit, ed. Jeff Koons Retrospektiv. Exh. cat., Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004, p. 116.